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CHLADNI OU LE GALBE

by Stefan Hardt

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about

As usual the sounds remain untreated, except that you won´t hear an attack, that is to say, the beginning and the end of each sound event were cut and faded in, respectively faded out. In addition there is a small reverberation from time to time.
I used the melodion, the portative and three recorders.
Now as before, it´s about exposing interferences, binaural beats, frictions and the oscillations created by an overlay of same-height tones. Something that is considered disharmonic stays or becomes harmonic in a broader sense.

Pierre Soulages showed me through his paintings how to ladle a maximum of colours out of a minimum of material. The emanation of his Black is fascinating.
Translated into music it means: with each tiny change in between the timeline, new compositions arise, new colours of sound.
Therefore, eventhough it unmistakably is about one piece, there are several tracks.
So you can stroll back and forth on the timeline - using the option »random play« or listening to the tracks from end to beginning etc. - and therefore change the angle, the auditory angle, in analogy with Pierre Soulages.
It´s a bit like stroking the griddle: each time you get different (sound) patterns.

released 2/11/2021

credits

released December 30, 2021

Stefan Hardt - portative, melodion, bass & tenor recorder & composition

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Stefan Hardt Strasbourg, France

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